Change text size : a a a



News and features index



News items
What's happening at BRB

Features

 Gaylene Cummerfield
December 6, 2008
 David Bintley on 2008's Claras
November 14, 2008
 Welcome to the jungle
October 22, 2008
 David Bintley on the story of Sylvia
October 22, 2009
 David Bintley on his Sylvia reworking
October 22, 2008
 Robert Parker on Enigma Variations
October 22, 2008
 Wolfgang Stollwitzer interview
October 5, 2008
 The Beasts within
October 4, 2008
 Lei Zhao
September 6, 2008
 Kristen McGarrity
September 6, 2008
 Behind the scenes: Department for Learning
August 18, 2008
 New faces look back
July 14, 2008
 Birmingham Royal Ballet on Classic FM
July 8, 2008
 Notes on Petrushka (full version)
July 4, 2008
 The history of Le Baiser de la fée
July 4, 2008
 Notes on Card Game
July 4, 2008
 Jonathan Payn on BBC Radio York, Spring 2008
June 18, 2008
 Ambra Vallo on Giselle
June 13, 2008
 Desmond Kelly
June 6, 2008
 The Fairy's Kiss
May 13, 2008
 The history of Card Game
May 10, 2008
 Petrushka
May 9, 2008
 Stravinsky: the real deal
May 3, 2008
 Your personal profile
April 22, 2008
 Behind-the-scenes: wardrobe
April 2, 2008
 South-West tour notes
March 20, 2008
 2008-09 season
March 20, 2008
 North-East tour notes
March 19, 2008
 Anniek Soobroy
March 10, 2008
 Céline Gittens
March 7, 2008
 The light fantastic
February 12, 2008
 Dominic Antonucci
February 11, 2008
 Japan 2008 desktop wallpaper
January 11, 2008
 Behind the scenes: Diana Childs
December 7, 2007
 Fantasy and Reality
December 1, 2007
 An Entertainment of Genius
December 1, 2007
 Beauty and the Beast
November 19, 2007
 Stravinsky autumn 2008
September 19, 2007
 Angela Paul
October 9, 2007
 All that jazz
October 8, 2007
 Cardiff2008
October 5, 2007
 Enjoy Strictly dancing?
October 3, 2007
 New arrivals 2007
September 24, 2007
 Tyrone Singleton
September 21, 2007
 Edward II
August 10, 2007
 Strictly dancing
August 10, 2007
 Take Five costume rehearsals
June 22, 2007
 Mary Goodhew: the making of a dancer
June 12, 2007
 Michael O'Hare
June 1, 2007
 200708 Season
March 28, 2007
 Carl Davis interview
February 7, 2007
 Pas de deux - Stravinsky and Balanchine
January 29, 2007
 Ballet Hoo! aftershow interviews
October 7, 2006
 The Acrobat and the Ringmaster
April 20, 2006
 Transaction Charges
July 14, 2006

 
Press releases
Read BRB's current press releases

Reviews
Look up external reviews and articles on the Company.

Discussion forum
Join in the discussions on BRB and its performances, hosted by ballet.co.uk

After-show interviews transcript - part 1



It's the evening of the Ballet Hoo performance of Romeo and Juliet, and after a massively, massively extended curtain call, we're going to try and talk to some of the cast who were involved in the project.

I've got Jamie Bond and Jenna Roberts, who have been Romeo and Juliet in tonight's performance - how has the evening been for you guys?

Jenna: It's been amazing!

Jamie: It has, it's been really good - it was all a bit surreal at the end...

Jenna: Yeah, it's been really emotional

Jamie: Yeah

Jenna: And especially tonight, because everyone's leaving, it was pretty sad.


Everyone must be very proud of all the kids who have been up there sharing the stage with you guys.

Jenna: Yeah, yeah.

Jamie: We've only been with them for like, a month or two, but to see how far they've come in that short space of timme is incredible.

Jenna: Tonight was great fun and everyone pulled it off for the show...

Jamie: - it all came together, it's been amazing.


Fantastic, well over here we've got Shireena - Lady Capulet - you've just come off stage, how's the whole experience been for you?

Shireena: Oh, it's Surreal, I swear to God I can't remember anything that's gone so fast, but when I was doing it, all I can remember was that I forgot about everything and thought; 'you know what, this is my last chance, I'm on the Hippodrome stage, I'm just going to go for it'. And I went for it, I was... I don;t know what I looked like, I was just throwing myself everywhere!

You were fantastic, we saw all the brilliant head-rolling and hair-flicking that Marion was doing in the programme last weeK [episode two].

Shireena: Yeah, she helped me so much as well, Marion, just everything she brought and little things she did, I just used to help me and... oh, them people, the people that gave me those pointers, they're the ones to blame for how I turned out!

I don't think 'blame' is the word, it was absoulely fantastic!

Shireena: (Laughs) thank you.

Because how old were you when you started this project?

Shireena: Fourteen.

And you're how old now?

Shireena: Fifteen, sixteen next week.

Well, that's quite a nice run up to your birthday, isn't it?!

Shireena: It is, yes! (laughs)

Do you think you've changed a lot of over that time as well?

Shireena: Definitely, the personal element made me just... well, I obviously found out about my inner self, and, through acting I've just - and from what they've said to us, I can do it! Anything is possible and I can achieve the highest that I can get out there, so I'm going to keep going now, and just keep going.

Well I've also got David here, Lord Capulet; a very bombastic part at times, very dramatic, but also as well, there's the caring side as a father - what's that like to play?

David: I think it's good, you know, because you can show both sides of Lord capulet, and how he feels about his daughter. Which is good, because in a way, it's easier for me. Because my own character isn't always being boisterous, I have a soft side as well. Because, I get to do it on both sides, it makes it more of a connection for me - do you know what I'm trying to say?

Because you yourself, you're an aspiring rapper aren't you?

David: Yeah, I do a lot of rapping and everything, because I want to be a rap artist.

And yet you're up there on stage, telling this fantastic story, with all this drama, with not a single word spoken in the whole thing.

David: That's what I liked the most, because it was challenging, there wasn't anything easy. People that disrespect me, or ballet, they don't know what they're talking about, because this experience has been mind-blowing, and it's taught me a lot of stuff.

ENDS

Click here to view the transcript for part two.
Click here to return to the audio clips



PRINT THIS PAGE
  Contact Us | Legal Statements | Credits | Discussion Forum
® Birmingham Royal Ballet | Company registration no. 3320538 | Registered charity no. 1061012
After-show interviews transcript - part 1

It's the evening of the Ballet Hoo performance of Romeo and Juliet, and after a massively, massively extended curtain call, we're going to try and talk to some of the cast who were involved in the project.

I've got Jamie Bond and Jenna Roberts, who have been Romeo and Juliet in tonight's performance - how has the evening been for you guys?

Jenna: It's been amazing!

Jamie: It has, it's been really good - it was all a bit surreal at the end...

Jenna: Yeah, it's been really emotional

Jamie: Yeah

Jenna: And especially tonight, because everyone's leaving, it was pretty sad.


Everyone must be very proud of all the kids who have been up there sharing the stage with you guys.

Jenna: Yeah, yeah.

Jamie: We've only been with them for like, a month or two, but to see how far they've come in that short space of timme is incredible.

Jenna: Tonight was great fun and everyone pulled it off for the show...

Jamie: - it all came together, it's been amazing.


Fantastic, well over here we've got Shireena - Lady Capulet - you've just come off stage, how's the whole experience been for you?

Shireena: Oh, it's Surreal, I swear to God I can't remember anything that's gone so fast, but when I was doing it, all I can remember was that I forgot about everything and thought; 'you know what, this is my last chance, I'm on the Hippodrome stage, I'm just going to go for it'. And I went for it, I was... I don;t know what I looked like, I was just throwing myself everywhere!

You were fantastic, we saw all the brilliant head-rolling and hair-flicking that Marion was doing in the programme last weeK [episode two].

Shireena: Yeah, she helped me so much as well, Marion, just everything she brought and little things she did, I just used to help me and... oh, them people, the people that gave me those pointers, they're the ones to blame for how I turned out!

I don't think 'blame' is the word, it was absoulely fantastic!

Shireena: (Laughs) thank you.

Because how old were you when you started this project?

Shireena: Fourteen.

And you're how old now?

Shireena: Fifteen, sixteen next week.

Well, that's quite a nice run up to your birthday, isn't it?!

Shireena: It is, yes! (laughs)

Do you think you've changed a lot of over that time as well?

Shireena: Definitely, the personal element made me just... well, I obviously found out about my inner self, and, through acting I've just - and from what they've said to us, I can do it! Anything is possible and I can achieve the highest that I can get out there, so I'm going to keep going now, and just keep going.

Well I've also got David here, Lord Capulet; a very bombastic part at times, very dramatic, but also as well, there's the caring side as a father - what's that like to play?

David: I think it's good, you know, because you can show both sides of Lord capulet, and how he feels about his daughter. Which is good, because in a way, it's easier for me. Because my own character isn't always being boisterous, I have a soft side as well. Because, I get to do it on both sides, it makes it more of a connection for me - do you know what I'm trying to say?

Because you yourself, you're an aspiring rapper aren't you?

David: Yeah, I do a lot of rapping and everything, because I want to be a rap artist.

And yet you're up there on stage, telling this fantastic story, with all this drama, with not a single word spoken in the whole thing.

David: That's what I liked the most, because it was challenging, there wasn't anything easy. People that disrespect me, or ballet, they don't know what they're talking about, because this experience has been mind-blowing, and it's taught me a lot of stuff.

ENDS

Click here to view the transcript for part two.
Click here to return to the audio clips