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News and features indexNews items What's happening at BRB Features Press releases Read BRB's current press releases Reviews Look up external reviews and articles on the Company. Discussion forum Join in the discussions on BRB and its performances, hosted by ballet.co.uk |
Reaching new heightsPrincipal Robert Parker will be leaving the Company at the end of the 2006/07 season Why have you decided to hang up your ballet shoes? I have always had the notion that I would retire from dance while I am feeling at the top of my game. Now at the age of 30, the years of physical punishment along with a couple of knee operations are starting to take their toll. Also, I believe that if my chosen second career has any decent chance of materialising, it has to be now. What does the future hold for you? I have held my pilot's licence for a couple of years now and after my retirement from dance, I plan to move to the USA with my wife Rachel, who has dual citizenship, and train for my commercial certificate. Upon completion, I would like to work for either the regional or corporate airlines. Is there a role you've always wanted to dance but not had the opportunity to? I don't think so, I have danced infinitely more roles than I ever expected to and with such a varied repertory. I am completely fulfilled. With the classical, modern and visiting choreographers, not to mention David's works, there is always something to get your teeth into. Do you have any favourite roles you¹ve either danced or created? It's hard to pin-point a particular role as my favourite, more like elements of several. I particularly enjoyed doing narrative works with solid characters and real emotions. Obviously ballets like Romeo and Juliet or Edward II, which deliver the whole package, are extremely fulfilling and also the sympathetic characters like Will Mossop in Hobson's Choice, Prodigal Son and The Two Pigeons are among my favourites. Playing the complex tortured character of Mordred in Arthur part 2 was a refreshing break from the norm and the aggressive, physically demanding aspects of Hamlet in The Shakespeare Suite and the 2nd Seminarian in Carmina burana were guaranteed to get the adrenalin pumping. I could tell even from the rehearsal period that the role of Cyrano would certainly be ranked among the top ten and I really enjoyed exploring his character's depth. What are the reasons for dancing exclusively with BRB since you left ballet school 13 years ago? As I mentioned earlier, the repertory in BRB has been almost tailor made to suit my own artistic needs, so I've never had the desire to look elsewhere. I grew up admiring dancers in Sadler's Wells and The Royal Ballet and when Sir Peter Wright offered me a contract in 1994 I felt I had truly 'arrived'. I've always believed that a job is as good as the people you work with and in BRB I've made unique friendships that will last a lifetime. The relaxed family atmosphere is what I will miss the most and of course the hilarious dressing room banter! You have been described by some as David Bintley's muse - how has that working relationship evolved over the years? I've always had an affinity with David's choreography. It feels very natural for my personal dance style and physicality. We have a clear understanding during rehearsals of where the piece is going and the musicality of the steps. Over the years the choreographic process has become so familiar that I can almost predict his next move. It makes the rehearsals extremely efficient and more time can be spent refining and working oncharacterisation (which is pretty straightforward as David is such a good actor you can simply mimic his facial expressions). Has the dancing world prepared you in any way for the aviation world? Not in an obvious way. I don't think a double tour and pirouette will impress many airline bosses! However there are a few skills common to both professions i.e. special awareness, coordination, visualising techniques and of course endless practice. The mental preparation and dedication needed to succeed are one in the same and of course the need to perform at the highest-level while often under extreme pressure. I'm often asked which is more satisfying executing a perfect landing or hitting a perfect pirouette? I simply shrug my shoulders; I'm yet to experience either! ENDS Robert is dancing with BRB until the end of the 2006/07 season in July. PRINT THIS PAGE |
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