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What's happening at BRB

Features

 Wolfgang Stollwitzer interview
October 5, 2008
 The Beasts within
October 4, 2008
 Lei Zhao
September 6, 2008
 Kristen McGarrity
September 6, 2008
 Behind the scenes: Department for Learning
August 18, 2008
 New faces look back
July 14, 2008
 Birmingham Royal Ballet on Classic FM
July 8, 2008
 Notes on Petrushka (full version)
July 4, 2008
 The history of Le Baiser de la fée
July 4, 2008
 Notes on Card Game
July 4, 2008
 Jonathan Payn on BBC Radio York, Spring 2008
June 18, 2008
 Ambra Vallo on Giselle
June 13, 2008
 Desmond Kelly
June 6, 2008
 The Fairy's Kiss
May 13, 2008
 The history of Card Game
May 10, 2008
 Petrushka
May 9, 2008
 Stravinsky: the real deal
May 3, 2008
 Your personal profile
April 22, 2008
 Behind-the-scenes: wardrobe
April 2, 2008
 South-West tour notes
March 20, 2008
 2008-09 season
March 20, 2008
 North-East tour notes
March 19, 2008
 Anniek Soobroy
March 10, 2008
 Céline Gittens
March 7, 2008
 The light fantastic
February 12, 2008
 Dominic Antonucci
February 11, 2008
 Japan 2008 desktop wallpaper
January 11, 2008
 Behind the scenes: Diana Childs
December 7, 2007
 Fantasy and Reality
December 1, 2007
 An Entertainment of Genius
December 1, 2007
 Beauty and the Beast
November 19, 2007
 Stravinsky autumn 2008
September 19, 2007
 Angela Paul
October 9, 2007
 All that jazz
October 8, 2007
 Cardiff2008
October 5, 2007
 Enjoy Strictly dancing?
October 3, 2007
 New arrivals 2007
September 24, 2007
 Tyrone Singleton
September 21, 2007
 Edward II
August 10, 2007
 Strictly dancing
August 10, 2007
 Take Five costume rehearsals
June 22, 2007
 Mary Goodhew: the making of a dancer
June 12, 2007
 Michael O'Hare
June 1, 2007
 200708 Season
March 28, 2007
 Carl Davis interview
February 7, 2007
 Pas de deux - Stravinsky and Balanchine
January 29, 2007
 Ballet Hoo! aftershow interviews
October 7, 2006
 The Acrobat and the Ringmaster
April 20, 2006
 Transaction Charges
July 14, 2006

 
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Transaction Charges



An increasing number of entertainment venues across the country are making transaction charges on tickets booked for arts performances. With a number of people enquiring as to why this is, we take a brief look at the reasons behind the charge, and the ways customers can minimise it.

What is the money for?


Birmingham Hippodrome began to charge a transaction fee on all tickets booked at the venue only recently. This came following massive redevelopment of the building, at which point the venue had to find new ways of paying the increasing costs it now faced.

Speaking on the issue, Stuart Griffiths, Chief Executive explained. ‘Birmingham Hippodrome Theatre Trust is a registered charity and operates not-for-profit. It generates 100% of its income. The transaction charge pays for commissions charged by credit card companies and banks, and any balance is retained by the Theatre Trust as a contribution to the costs of operating the ticket sales service, and to the ongoing development of the building and programme’.

At some venues the transaction charges are a simple flat rate to cover administration and postage of tickets. At Plymouth Theatre Royal, for example, you’ll pay £1 for all tickets booked on a credit or debit card, with an additional 50p to have your tickets posted out to you. At Sadler’s Wells Theatre in London, you pay £2.20, but the venue absorbs any postage costs. Furthermore, book tickets at a concessionary rate, and the transaction charge is reduced to just £1.50, making it level with Plymouth. In both cases, apart from the charges for the postage, all cash goes directly towards ensuring the venue’s continued survival.

Why is the money charged separately?

One of the most common questions asked, however, is why the transaction charge is added on separately, rather than simply being included in the ticket price. Many people see it as a ‘hidden charge’ when presented in this way.

The explanation is simple; after an arts performance, the money taken from the sale of tickets is split between the performing company and the venue. The venue will take approximately 25%, with the rest going to the company. Only the transaction charges go directly to the venue.

As a result, if the venue included the fee in the ticket price, it would only get 25% the money raised. To end up with the same amount, it would need to increase the charge by four times as much, a price increase that would no doubt be resisted by visiting companies and audiences alike!

How can you minimise the charges?

There are additional ways in which audiences can reduce the charge they have to pay, and, in many cases, ways in which the transaction charges can be avoided altogether, simply by paying in a way which does not incur costs to the arts venue. With most charges in place to cover the credit or debit card commission, by not paying on a credit card, the charges are reduced dramatically.

At most of Birmingham Royal Ballet’s touring venues, you can now book tickets for all performances on-line, through the venues’ websites (you’ll find details of all venues by following the booking links in the What’s On section of the BRB website). Sadler’s Wells Theatre, for example, charge just £1.50 per transaction on-line, which goes to cover postage and technical administration. Birmingham Hippodrome charges just 3% on all tickets booked on-line, half what you’d pay over the phone.

Finally, you can avoid paying booking fees altogether, simply by booking in person at the box office, and paying with cash. This incurs no charges for the venue, and of course, no charges for you. Birmingham Royal Ballet endeavours to ensure that while it is performing at a venue, its subsequent visit is already on sale, so you can book then and there charge free.

It is also worth noting that for Birmingham Royal Ballet’s performances at Birmingham Hippodrome, you can book tickets for every show in BRB’s 2006/07 season all at once, saving 25% off the total ticket price - and the Company will pay the transaction fee! Click here for full details of the subscription season, available until 23 September 2006.

Full details on all booking methods for all of BRB’s current touring venues can be found in the What’s On section of the website, available by clicking here.
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