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News and features index



News items
What's happening at BRB

Features

 Video: Bluebird studio rehearsals
12 February 2010
 Video: Early Aladdin studio rehearsals
04 February 2010
 20 year celebrations
15 January 2010
 2010 SW tour introductory notes
13 January 2010
 2010 N/E tour introductory notes
13 January 2010
 Carol-Anne Millar
04 December 2009
 The Sugar Plum Fairies part two
02 December 2009
 The Sugar Plum Fairies part one
27 November 2009
 Video: Nutcracker Act I studio rehearsal
06 November 2009
 Video: Cyrano studio rehearsals
29 October 2009
 Dual controls
01 October 2009
 We can be heroes
11 September 2009
 Christopher Rodgers-Wilson
10 September 2009
 E=mc² Costume designs
07 September 2009
 Robert Parker
04 September 2009
 Video: David Bintley's E=mc² diary
20 August 2009
 Quantum Leaps introductory notes
06 August 2009
 Video: Carl Davis on the score for Cyrano
06 August 2009
 Cyrano Act I set designs and plot preview
30 July 2009
 Video: Nutcracker studio rehearsals
29 July 2009
 Video: Nutcracker technical preparations
23 July 2009
 Video: David Bintley and Robert Parker on Cyrano's nose
19 June 2009
 Two Pigeons behind-the-scenes feature on BBC Radio WM
18 June 2009
 Video: Dame Antoinette Sibley and Sir Anthony Dowell taking rehearsals
08 June 2009
 Video: The Two Pigeons rehearsal
03 June 2009
 The Two Pigeons introductory notes
01 June 2009
 Mozartiana introductory notes
01 June 2009
 The Dream introductory notes
02 June 2009
 Sir Fred and Mr B.
29 May 2009
 David Bintley on the 2009-10 season
11 May 2009
 Garry Stewart video interview
01 May 2009
 Galanteries Introductory notes
30 April 2009
 The Dance House introductory notes
03 April 2009
 Elite Syncopations: a history
01 April 2009
 Cyrano character guides
13 March 2009
 Sylvia Pizzicato rehearsal
09 March 2009
 The fruits of a friendship
06 March 2009
 Kangaroo Rat rehearsal video
24 February 2009
 China 2009 tour blog
19 February 2009
 David Bintley's Sylvia diary
17 February 2009
 Chi Cao video interview part two
13 February 2009
 Enigma Variations Troyte rehearsal video
13 February 2009
 Chi Cao video interview
27 January 2009
 Gaylene Cummerfield
06 December 2008
 David Bintley on 2008's Claras
14 November 2008
 Welcome to the jungle
22 October 2008
 David Bintley on the story of Sylvia
22 October 2009
 David Bintley on his Sylvia reworking
22 October 2008
 Robert Parker on Enigma Variations
22 October 2008
 Wolfgang Stollwitzer interview
05 October 2008
 The Beasts within
04 October 2008
 Lei Zhao
06 September 2008
 Kristen McGarrity
06 September 2008
 Behind the scenes: Department for Learning
18 August 2008
 New faces look back
14 July 2008
 Birmingham Royal Ballet on Classic FM
08 July 2008
 Notes on Petrushka (full version)
04 July 2008
 The history of Le Baiser de la fée
04 July 2008
 Notes on Card Game
04 July 2008
 Jonathan Payn on BBC Radio York, Spring 2008
18 June 2008
 Ambra Vallo on Giselle
13 June 2008
 Desmond Kelly
06 June 2008
 The Fairy's Kiss
13 May 2008
 The history of Card Game
10 May 2008
 Petrushka
09 May 2008
 Stravinsky: the real deal
03 May 2008
 Your personal profile
22 April 2008
 Behind-the-scenes: wardrobe
02 April 2008
 South-West tour notes
20 March 2008
 2008-09 season
20 March 2008
 North-East tour notes
19 March 2008
 Anniek Soobroy
10 March 2008
 Céline Gittens
07 March 2008
 Colin Towns Mask Orchestra
14 February 2008
 The light fantastic
12 February 2008
 Dominic Antonucci
11 February 2008
 Japan 2008 desktop wallpaper
11 January 2008
 Behind the scenes: Diana Childs
07 December 2007
 Fantasy and Reality
01 December 2007
 An Entertainment of Genius
01 December 2007
 Beauty and the Beast
19 November 2007
 Stravinsky autumn 2008
19 September 2007
 Angela Paul
09 October 2007
 All that jazz
08 October 2007
 Cardiff2008
05 October 2007
 Enjoy Strictly dancing?
03 October 2007
 New arrivals 2007
24 September 2007
 Tyrone Singleton
21 September 2007
 Edward II
10 August 2007
 Strictly dancing
10 August 2007
 Take Five costume rehearsals
22 June 2007
 Mary Goodhew: the making of a dancer
12 June 2007
 Michael O'Hare
01 June 2007
 200708 Season
28 March 2007
 Carl Davis interview
07 February 2007
 Pas de deux - Stravinsky and Balanchine
29 January 2007
 Ballet Hoo! aftershow interviews
07 October 2006
 The Acrobat and the Ringmaster
20 April 2006
 Transaction Charges
14 July 2006

 
Press releases
Read BRB's current press releases

Reviews
Look up external reviews and articles on the Company.

Discussion forum
Join in the discussions on BRB and its performances, hosted by ballet.co.uk

Transaction Charges



An increasing number of entertainment venues across the country are making transaction charges on tickets booked for arts performances. With a number of people enquiring as to why this is, we take a brief look at the reasons behind the charge, and the ways customers can minimise it.

What is the money for?


Birmingham Hippodrome began to charge a transaction fee on all tickets booked at the venue only recently. This came following massive redevelopment of the building, at which point the venue had to find new ways of paying the increasing costs it now faced.

Speaking on the issue, Stuart Griffiths, Chief Executive explained. ‘Birmingham Hippodrome Theatre Trust is a registered charity and operates not-for-profit. It generates 100% of its income. The transaction charge pays for commissions charged by credit card companies and banks, and any balance is retained by the Theatre Trust as a contribution to the costs of operating the ticket sales service, and to the ongoing development of the building and programme’.

At some venues the transaction charges are a simple flat rate to cover administration and postage of tickets. At Plymouth Theatre Royal, for example, you’ll pay £1 for all tickets booked on a credit or debit card, with an additional 50p to have your tickets posted out to you. At Sadler’s Wells Theatre in London, you pay £2.20, but the venue absorbs any postage costs. Furthermore, book tickets at a concessionary rate, and the transaction charge is reduced to just £1.50, making it level with Plymouth. In both cases, apart from the charges for the postage, all cash goes directly towards ensuring the venue’s continued survival.

Why is the money charged separately?

One of the most common questions asked, however, is why the transaction charge is added on separately, rather than simply being included in the ticket price. Many people see it as a ‘hidden charge’ when presented in this way.

The explanation is simple; after an arts performance, the money taken from the sale of tickets is split between the performing company and the venue. The venue will take approximately 25%, with the rest going to the company. Only the transaction charges go directly to the venue.

As a result, if the venue included the fee in the ticket price, it would only get 25% the money raised. To end up with the same amount, it would need to increase the charge by four times as much, a price increase that would no doubt be resisted by visiting companies and audiences alike!

How can you minimise the charges?

There are additional ways in which audiences can reduce the charge they have to pay, and, in many cases, ways in which the transaction charges can be avoided altogether, simply by paying in a way which does not incur costs to the arts venue. With most charges in place to cover the credit or debit card commission, by not paying on a credit card, the charges are reduced dramatically.

At most of Birmingham Royal Ballet’s touring venues, you can now book tickets for all performances on-line, through the venues’ websites (you’ll find details of all venues by following the booking links in the What’s On section of the BRB website). Sadler’s Wells Theatre, for example, charge just £1.50 per transaction on-line, which goes to cover postage and technical administration. Birmingham Hippodrome charges just 3% on all tickets booked on-line, half what you’d pay over the phone.

Finally, you can avoid paying booking fees altogether, simply by booking in person at the box office, and paying with cash. This incurs no charges for the venue, and of course, no charges for you. Birmingham Royal Ballet endeavours to ensure that while it is performing at a venue, its subsequent visit is already on sale, so you can book then and there charge free.

It is also worth noting that for Birmingham Royal Ballet’s performances at Birmingham Hippodrome, you can book tickets for every show in BRB’s 2006/07 season all at once, saving 25% off the total ticket price - and the Company will pay the transaction fee! Click here for full details of the subscription season, available until 23 September 2006.

Full details on all booking methods for all of BRB’s current touring venues can be found in the What’s On section of the website, available by clicking here.


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Transaction Charges

An increasing number of entertainment venues across the country are making transaction charges on tickets booked for arts performances. With a number of people enquiring as to why this is, we take a brief look at the reasons behind the charge, and the ways customers can minimise it.

What is the money for?


Birmingham Hippodrome began to charge a transaction fee on all tickets booked at the venue only recently. This came following massive redevelopment of the building, at which point the venue had to find new ways of paying the increasing costs it now faced.

Speaking on the issue, Stuart Griffiths, Chief Executive explained. ‘Birmingham Hippodrome Theatre Trust is a registered charity and operates not-for-profit. It generates 100% of its income. The transaction charge pays for commissions charged by credit card companies and banks, and any balance is retained by the Theatre Trust as a contribution to the costs of operating the ticket sales service, and to the ongoing development of the building and programme’.

At some venues the transaction charges are a simple flat rate to cover administration and postage of tickets. At Plymouth Theatre Royal, for example, you’ll pay £1 for all tickets booked on a credit or debit card, with an additional 50p to have your tickets posted out to you. At Sadler’s Wells Theatre in London, you pay £2.20, but the venue absorbs any postage costs. Furthermore, book tickets at a concessionary rate, and the transaction charge is reduced to just £1.50, making it level with Plymouth. In both cases, apart from the charges for the postage, all cash goes directly towards ensuring the venue’s continued survival.

Why is the money charged separately?

One of the most common questions asked, however, is why the transaction charge is added on separately, rather than simply being included in the ticket price. Many people see it as a ‘hidden charge’ when presented in this way.

The explanation is simple; after an arts performance, the money taken from the sale of tickets is split between the performing company and the venue. The venue will take approximately 25%, with the rest going to the company. Only the transaction charges go directly to the venue.

As a result, if the venue included the fee in the ticket price, it would only get 25% the money raised. To end up with the same amount, it would need to increase the charge by four times as much, a price increase that would no doubt be resisted by visiting companies and audiences alike!

How can you minimise the charges?

There are additional ways in which audiences can reduce the charge they have to pay, and, in many cases, ways in which the transaction charges can be avoided altogether, simply by paying in a way which does not incur costs to the arts venue. With most charges in place to cover the credit or debit card commission, by not paying on a credit card, the charges are reduced dramatically.

At most of Birmingham Royal Ballet’s touring venues, you can now book tickets for all performances on-line, through the venues’ websites (you’ll find details of all venues by following the booking links in the What’s On section of the BRB website). Sadler’s Wells Theatre, for example, charge just £1.50 per transaction on-line, which goes to cover postage and technical administration. Birmingham Hippodrome charges just 3% on all tickets booked on-line, half what you’d pay over the phone.

Finally, you can avoid paying booking fees altogether, simply by booking in person at the box office, and paying with cash. This incurs no charges for the venue, and of course, no charges for you. Birmingham Royal Ballet endeavours to ensure that while it is performing at a venue, its subsequent visit is already on sale, so you can book then and there charge free.

It is also worth noting that for Birmingham Royal Ballet’s performances at Birmingham Hippodrome, you can book tickets for every show in BRB’s 2006/07 season all at once, saving 25% off the total ticket price - and the Company will pay the transaction fee! Click here for full details of the subscription season, available until 23 September 2006.

Full details on all booking methods for all of BRB’s current touring venues can be found in the What’s On section of the website, available by clicking here.