The Company Index
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Peter J. Davison
Peter J. Davison works widely in the
theatre, including, at the Almeida, When We Dead Awaken, All for Love, The
Rules of the Game, School for Wives, Medea (West End and Broadway), Hamlet
(Hackney Empire and Broadway), Play (West End), Bed, The Beaux' Stratagem,
Le Cid (RNT), Copenhagen (RNT and West End), The Liar (Old Vic), St Joan
(Theatr Clwyd,West End and Sydney), Fortune's Fool (Chichester Festival),
The Duchess of Malfi, The White Devil, Don Carlos (RSC). His work for opera
includes Mitridate, re di Ponto (Wexford), Peter Grimes (Dublin Grand
Opera), L'ajo nell'imbarazzo (Batignano), Tosca (Hong Kong Arts Festival),
Le nozze di Figaro (Vienna Festival), Falstaff (English Touring Opera), Die
Gezeichneten and Falstaff (Opernhaus Zürich), Lucia di Lammermoor and Yeoman
of the Guard (WNO), Capriccio (Deutshe Staatsoper Berlin), Der
Rosenkavalier, Carmen and Mary Stuart (ENO), Anna Bolena (Bayerishe
Staatsoper), Katya Kabanova (New Zealand International Festival), Mitridate,
re di Ponto (Salzburg Festival), Manon Lescaut (Opera Australia), The Rake's
Progress and Le nozze di Figaro (Metropolitan Opera, New York). For dance,
his work includes, Strange Fish (DV8), David Bintley's Edward II (Stuttgart
Ballet and BRB), The Nutcracker Sweeties and Arthur (BRB). His work in
musicals includes The Boy from Oz (Sydney), Whistle Down the Wind (West End)
and Jesus Christ Superstar (UK tour and video).
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