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David Bintley CBE, Director
Jan Teo, Chief Executive (from mid-September)
Koen Kessels, Music Director

Ballet Staff

Orchestra Management and Music Staff
Royal Ballet Sinfonia
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The Jerwood Centre for the Prevention and Treatment of Dance Injuries
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Peter J. Davison

Peter J. Davison works widely in the theatre, including, at the Almeida, When We Dead Awaken, All for Love, The Rules of the Game, School for Wives, Medea (West End and Broadway), Hamlet (Hackney Empire and Broadway), Play (West End), Bed, The Beaux' Stratagem, Le Cid (RNT), Copenhagen (RNT and West End), The Liar (Old Vic), St Joan (Theatr Clwyd,West End and Sydney), Fortune's Fool (Chichester Festival), The Duchess of Malfi, The White Devil, Don Carlos (RSC). His work for opera includes Mitridate, re di Ponto (Wexford), Peter Grimes (Dublin Grand Opera), L'ajo nell'imbarazzo (Batignano), Tosca (Hong Kong Arts Festival), Le nozze di Figaro (Vienna Festival), Falstaff (English Touring Opera), Die Gezeichneten and Falstaff (Opernhaus Zürich), Lucia di Lammermoor and Yeoman of the Guard (WNO), Capriccio (Deutshe Staatsoper Berlin), Der Rosenkavalier, Carmen and Mary Stuart (ENO), Anna Bolena (Bayerishe Staatsoper), Katya Kabanova (New Zealand International Festival), Mitridate, re di Ponto (Salzburg Festival), Manon Lescaut (Opera Australia), The Rake's Progress and Le nozze di Figaro (Metropolitan Opera, New York). For dance, his work includes, Strange Fish (DV8), David Bintley's Edward II (Stuttgart Ballet and BRB), The Nutcracker Sweeties and Arthur (BRB). His work in musicals includes The Boy from Oz (Sydney), Whistle Down the Wind (West End) and Jesus Christ Superstar (UK tour and video).

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