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The Company Index |
Peter MumfordSet and Lighting designer Peter Mumford's recent work includes: Absent Friends (Harold Pinter Theatre); Top Hat (West End); set and lighting design for Mojo (TheatreRites); The Soldier's Tale and Pierrot Lunaire (Chicago Symphony); The Lion In Winter (Theatre Royal Haymarket); The Last of the Duchess (Hampstead Theatre); Testament (Dublin Theatre Festival); Jumpy (Royal Court) and Much Ado about Nothing (Wyndhams). Opera and dance includes: Madama Butterfly, Faust, Carmen, Peter Grimes, 125th Gala (New York Met); Eugene Onegin (LA Opera); Passion (Minnesota Opera); The Damnation of Faust, Madame Butterfly, Lucrezia Borgia, Bluebeard's Castle (English National Opera); La Cenerentola (Glyndebourne); Carmen (also set design), Petrushka (Scottish Ballet); E=mc²,Take Five (Birmingham Royal Ballet); Il Trovatore (Paris); Fidelio, Two Widows, Don Giovanni, The Ring (Scottish Opera); Midsummer Marriage (Chicago Lyric Opera); Eugene Onegin and The Bartered Bride (Royal Opera House). Theatre includes: A View from the Bridge (Duke of Yorks); A Streetcar Named Desire (Guthrie Theater, Minneapolis); The Seagull (Royal Court and Broadway); The Misanthrope, Prick Up Your Ears (Comedy); Twelfth Night, All's Well That Ends Well, The Reporter, The Hothouse (National Theatre); Carousel, Fiddler on the Roof (Savoy). Current projects: Directing/designing a concert version of The Ring Cycle for Opera North; Co-directed and designed sets/lighting for L'Heure espagnole and L'énfant et les sortiléges (Opera Zuid). Awards: Olivier Award (1995) for Outstanding Achievement in Dance and Olivier Lighting Award (2003). Knight of Illumination Award 2010 for Sucker Punch (Royal Court Theatre) Last updated March 2012 |
 Peter Mumford |
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