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David A. Finn



David A. Finn began his career in 1978 as lighting designer for the master puppeteer Burr Tillstrom and Kukla, Fran & Ollie. He was resident Lighting Designer for Mikhail Baryshnikov's White Oak Dance Project for eight years, and his designs can also be seen in the repertories of the National Ballet of Canada, San Francisco Ballet, Hubbard Street Dance Company, American Ballet Theater, Australian Ballet, Bayerisches StaatsBallett, Joachim Schlömer, Twyla Tharp and Dancers, Paul Taylor Dance Company and Dana Reitz. His most recent work for BRB was James Kudelka's Le Baiser de la fée. He also worked with John Macfarlane on the operas Falstaff (Florence), Otello (Théâtre de la Monnaie, Brussels), Boris Godunov (Amsterdam); The Pirates of Penzance (Berlin) and Swan Lake, (Munich). His lighting for opera and theatre includes Rheingold, Tales of Hoffmann and Orfeo (Stuttgart Opera), La Guerra d'amore (San Francisco), Ariadne auf Naxos (Salzburg), The Abduction from the Seraglio (Antwerp), King Lear (National Theatre of Czechoslovakia), several premieres for the Children's Theater of Minneapolis and many off-Broadway productions. He lit the stage scenes in Scorcese's film of The Age of Innocence and his own documentary film, The Green Monster, premiered on public television in the USA in 1999.
Kin.

Tzu-Chao Chou; photo: Bill Cooper

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