Ballets for hire

Coppélia 1995

  • Number of acts3
  • Running Time 35 / 30 / 32 minutes
<p><em>Coppélia:</em> Elisha Willis as Swanilda and Joseph Caley as Franz with Artists of Birmingham Royal Ballet</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Delia Mathews and Yvette Knight as Swanilda's Friends</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Angela Paul as the Gypsy and Joseph Caley as Franz</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Lei Zhao and Arancha Baselga as Swanilda's Friends</p>. Credit: Roy Smiljanic.<p><em>Coppélia:</em> Angela Paul as the Gypsy and Joseph Caley as Franz</p>. Credit: Roy Smiljanic.<p><em>Coppélia: </em>Maureya Lebowitz as Swanilda and Jonathan Payn as Dr Coppélius</p>. Credit: Roy Smiljanic.<p><em>Coppélia:</em> Elisha Willis as Swanilda and Michael O'Hare as Dr Coppélius</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Maureya Lebowitz as Swanilda and Jonathan Payn as Dr Coppélius</p>. Credit: Roy Smiljanic.<p><em>Coppélia: </em>Elisha Willis as Swanilda and David Morse as Dr Coppélius</p>. Credit: Roy Smiljanic.<p><em>Coppélia: </em>Feargus Campbell, William Bracewell, Brandon Lawrence and Valentin Olovyannikov in 'Call to Arms'</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Elisha Willis as Swanilda and Joseph Caley as Franz</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Delia Mathews in 'Prayer'</p>. Credit: Roy Smiljanic.<p><em>Coppélia: </em>Jenna Roberts in 'Prayer'</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Mathias Dingman with Artists of Birmingham Royal Ballet in 'Call to Arms'</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Elisha Willis as Swanilda and Joseph Caley as Franz</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Rory Mackay as the Duke</p>. Credit: Andrew Ross.<p><em>Coppélia: </em>Jonathan Payn as Father Time with Artists of Birmingham Royal Ballet</p>. Credit: Andrew Ross.

Manchester Evening News Award 1999

'Peter Wright's production of Coppélia... is a classic masterpiece with little to rival it in the world of ballet today'

The Birmingham Post
★★★★★

The Financial Times
★★★★

'As a work of sumptuous dance and mimetic storytelling, it is hard to beat'

The Daily Express

'One of the traditional gems of the repertory'

The Sunday Times

'Peter Wright has created a masterpiece'

The Stage