Trained: Acri-Horimoto Ballet Academy and English National Ballet School
Joined: 2012, Soloist 2017, First Soloist 2018
Dream roles: Aurora in The Sleeping Beauty, because I love pure classical dance, and Juliet in Romeo and Juliet, because I want the challenge of dancing a dramatic role.
Most challenging role: The title role in Sylvia – it requires a lot of stamina and the ability to change character in Act II.
Dance heroine: Former Birmingham Royal Ballet dancer Miyako Yoshida.
Created roles: I created roles in ballets by Company dancers Ruth Brill (Matryoshka) and Kit Holder (Quatrain).
Off-stage: I enjoy knitting, crochet and sewing.
Frederick Ashton: La Fille mal gardée ('Ribbon pas de deux', Chicken) and Dante Sonata (Child of Light)
George Balanchine: Serenade
David Bintley: Cinderella (Title role, 'Spring'), Aladdin ('Sapphire'), Beauty and the Beast (Wild Girl), Take Five ('Three to Get Ready'), 'Still Life' at the Penguin Café (Great Auk, Humboldt's Hog-Nosed Skunk Flea), E=mc² ('Celertias²') , Flowers of the Forest, Sylvia (Title role) and The Prince of the Pagodas (Princess Belle Sakura), and David Bintley and Galina Samsova's production of Giselle
Michael Corder: Le Baiser de la fée (Bride)
Kit Holder: Quatrain
Peter Wright's productions of The Nutcracker (Sugar Plum Fairy, Clara), Coppélia (Swanilda) and The Sleeping Beauty (Fairy of Modesty, pas de quatre), and Peter Wright and Galina Samsova's production of Swan Lake
Prix de Lausanne scholarship, 2009
Header image: Clothing (except for tutu) generously supplied by UK dancewear specialists Dans-ez