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Theme and Variations is one of the best-known ballets choreographed by the man recognised as the father of American ballet – George Balanchine.
The Georgian-American choreographer founded New York City Ballet, and is one of the most influential ballet figures of the 20th century.
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Nao Sakuma and Mathias Dingman in Theme and Variations.
© 2015 Credit : Bill Cooper
Mathias Dingman and Artists of Birmingham Royal Ballet in Theme and Variations.
© 2015 Credit : Roy Smiljanic
Laura-Jane Gibson, Nicki Moffatt, Oliver Till and James Barton in Theme and Variations.
© 2010 Credit : Bill Cooper
Artists of Birmingham Royal Ballet in Theme and Variations.
© 2010 Credit : Bill CooperNao Sakuma and Mathias Dingman in Theme and Variations.
© 2015 Credit : Roy Smiljanic
Artists of Birmingham Royal Ballet in Theme and Variations.
© 2015 Credit : Roy SmiljanicChoreographed in 1947, this one-act ballet was inspired by the music of Russian composer Pyotr Ilyich Tchaikovsky.
The ballet opens with a corps de ballet of 12 women alongside a principal couple. As it unfolds, the choreography moves through a series of variations, weaving together solo performances from the ballerina and her partner with ensemble sections for the corps de ballet. In keeping with classical tradition, the work features a central pas de deux, before building to a grand polonaise that brings all 26 dancers together for a vibrant and climatic finale.
Balanchine said the ballet was intended ‘to evoke that great period in classical dancing when Russian ballet flourished with the aid of Tchaikovsky’s music’.*
*The George Balanchine Trust, 2025
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